I’m flat on my back…keep me company

all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels
all-thats-interesting:

Portraits Of The Dead, In Life And After Life
This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.Source: Walter Schels

all-thats-interesting:

Portraits Of The Dead, In Life And After Life

This is one of the most striking photo series I have ever come across. They say that, in death, all of the facial muscles relax, leaving behind a peaceful visage of the person who once occupied the body.

Source: Walter Schels

(via pokeyouindaeye)

zaugust:

Graffiti, Abandoned Mental Asylum. 

zaugust:

Graffiti, Abandoned Mental Asylum. 

(via thefreedomofthehills)


1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

1956- Gordon Parks documented the everyday lives of an extended black family living in rural Alabama under Jim Crow segregation for Life magazine’s photo-essay “The Restraints: Open and Hidden.” (via)

(via realtimeisuniversal)

paxmachina:

D*Face - Los Angeles, Califoria

(via blua)

benjaminheath:

Alberta, Canada.
benjaminheath:

Alberta, Canada.
benjaminheath:

Alberta, Canada.
benjaminheath:

Alberta, Canada.
benjaminheath:

Alberta, Canada.